The latest offering from director Christopher Smith (Creep, Severance) is a twisty-turny time bending horror set aboard a mysterious cruise liner. Melissa George stars as Jess, a young woman with an autistic son who meets up with her friend Greg to go sailing with a party on his boat. Things take a turn for the worse when an electrical storm hits their ship, smashing it to tinder and leaving them stranded. When a ghostly cruise liner shows up, the group board the apparently deserted vessel, and that’s when things start to get interesting…
What follows is a convoluted series of events that touch on familiar facets of time travel theory and mythology. As in the recent Spanish thriller Timecrimes we are witness to key events several different times, from a slightly different perspective each time, as our heroine tries vainly to alter the tragic events that befall her and her friends.
Having premiered at Frightfest this year, with Timecrimes taking its bow the year before, Smith was at pains to point out that he had come up with the idea four years previously. However Triangle does feel like something of a diet version and shares too much with its Spanish cousin (even down to the “villain” wearing a sack to disguise their features). The inevitable comparisons are a shame because otherwise the film is trying hard to be original and distinctive.
Melissa George has always been an actress I’ve enjoyed watching, and she is very good in this, taking on multiple versions of her character, each slightly different as they’re weighed down by knowledge of what’s to come, and what’s happening. I was particularly impressed with the scenes bookending the movie that take place in her quiet, suburban home. It’s here, as a violent, abusive mother, that she displays the best acting I’ve seen from her, and indeed in any recent horror, with the possible exception of Martyrs.
Triangle contains some great imagery (one scene in particular will stay with you for a while), and benefits from effective sound design, not least the unusually impactful gunshots, all of which adds to the film’s few geniunely scary moments – the woman next to me jumped out of her skin a couple of times.
Overall, Triangle feels like it falls under the weight of its own logic, and at times the timeline and concurrent events don’t make all that much sense. This isn’t for the Final Destination crowd, it’s more interesting and intelligent than that, but it doesn’t quite fulfil its ambition.
Our Rating: B-
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